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The
Matrix - A Cyberpunk Parable?
II. THE MANY
WAYS OF VIEWING THE MATRIX
(If this list bores you,
just skip ahead to the allegory in part III)
To give you an idea of just how many 'lenses' are
available to view The Matrix, here is a very incomplete (and purposefully so!) list
of themes and influences that people are analyzing in the film:
Neo as man who becomes a Christian and
learns to walk in faith
Neo as Christian Messiah
Neo as Jewish Messiah
Christ's Second Coming (the hint from
Morpheus that Neo came once before)
Neo as Antichrist (reverse all good/evil
roles in the film)
Neo as Moses who leads people out of
captivity
Neo as key figure or exemplary believer
for various religions, philosophies, movements, governments
Neo as man coming to enlightenment
(Buddhism, some eastern philosophy)
Neo as man discovering himself and/or
truth (many philosophies and religions)
Alice in Wonderland (white rabbit,
looking glass, etc.)
Dorothy / Kansas / "Mr.
Wizard" / Oz
The nature of reality
The nature of truth
The nature of identity
Philosophy vs. Religion
Man vs. Technology
Science vs. Faith
Fate / Free Will / Destiny
Illusion / Dreams
Conscious vs. Subconscious (Jung)
Superstition (Neo sees black cat = 'bad
luck')
Man vs. "The System"
Nihilism
Social Rebellion / Anarchy /
Nonconformity / Disestablishmentarianism (a fifty-cent word!)
Control / Authority ("You have a
problem with authority, Mr. Anderson")
Greek mythology (Morpheus, Oracle, etc.)
Mind over matter ('Spoon boy' bending
spoons, girls levitating blocks)
Metaphysics
Humanism (a future with 'no borders',
'the power is within you', 'free your mind', etc.)
Evolution (cf. Agent Smith's speech to
Morpheus)
Reincarnation (Neo apparently existed
previously; see Morpheus' bedside speech)
The 'Ecological Gospel' (Agent Smith
says man is a virus that destroys the planet)
Truth is everywhere / Pantheist /
"You're not looking for him, but for an Answer"
Atheism (God is arguably not part of the
basic plot or future world)
Existentialism
Relativism
Simulation / virtuality
Nietzsche, Plato, 'know thyself', etc.
Postmodern philosophy (Simulacra &
Simulation)
Martial arts and related philosophy
Martial arts film culture, Hong Kong
stuntwire work
Drug culture (mescaline / altered
perception)
Coded messages (Matrix code, Bible
codes, etc.)
Harlan Ellison's sci-fi tale "I
Have No Mouth But I Must Scream"
The Terminator films AI
controls and destroys the world
Logan's Run film - computers
control life; a world exists outside the city domes; etc.
Superman Neo flies away at the
end.
Life is a simulation (films such as Dark
City, Thirteenth Floor, eXistenZ, Total Recall, Tron, etc.)
William Gibson's Neuromancer
novel and others (Matrix, cyberjacks, implants, construct, samurai female sidekick in
leather, etc.)
Techno-industrial soundtrack /
significance of song selection
Stylized heroes (shades, leather,
trenchcoats, shoes, etc)
Stylized violence / choreography / John
Woo's trademark style (guns in both hands, slo-mo, etc.)
Anime influences
Comics influences (artist Geof Darrow
did some concept design); the storyboarded flavor of scenes
Star Wars vs. The Matrix
(Neo/Luke the disgruntled hacker/farmboy is mentored by Morpheus/Obi-Wan and becomes a
super-powered Jedi/"The One")
Hero vs. Obstacle (the hero faces an
obstacle that nearly defeats him, then he revives. Superman escaping kryptonite, Godzilla
getting temporarily beaten by rival monsters, Rocky Balboa nearly 'down for the count',
Popeye just before eating spinach, etc.)
"Mikey, I think he likes it."
Tank makes a reference to an old cereal commercial!
Old spaghetti western clichés with
gunfight face-off, 'tumbleweed' newspaper, twitching trigger fingers
...and many more!
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Symbolism, Metaphor, Imagery, Etc.:
room numbers 303 and 101, other
numerology
coming 'full circle' (film starts and
ends with computer screen, room 303, a trip in and out of a phone, etc.)
water / rain
reflections / mirrors
nomenclature (names of streets, people,
companies, etc.)
time: regular vs. slo-mo vs.
'bullet-time'; 1999 vs. 2199, etc.
falling, climbing, jumping, flying,
heights
color, filter, and lighting schemes,
reality blue, hacker green, etc.
clothes / gear
casting, race, gender, age, etc.
lion-headed chairs appearing multiple
times, other strange set pieces
the golden blob on Neo's chest
organic look of the machines
old vs. new, ancient vs. modern
clocks, signs, etc.
camera angles / cinematography / scene
construction / etc.
...and many more!
If
you wish to see just how deep the rabbit hole goes, or how wide the rabbit tracks run,
you'll surely want to visit Warner Brother's discussion forum for The Matrix
(forum still available as of November 1999).
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